Reclusive Mage

Acrylic & gouache on board — 18 x 14 in

A mystical forest scene with a magical female figure sitting on a tree, surrounded by ferns and mushrooms, holding a staff with glowing symbols. She wears an elaborate headdress and has plant-like features. An owl is flying in front of her.

I started playing Magic: The Gathering in 2013, when the expansion set Return to Ravnica was just released. The idea of the guilds and their unique personalities was fascinating to me. I was first drawn to the team Selesnya. This painting is part of a planned series of Guildmages based on a non-existent Ravnica set, an opportunity I made for myself to work in one of my favorite fantasy worlds.

The Process

Step 1: Thumbnails

I knew the basic elements I wanted to include: a robed mage wearing an intricate headdress or crown, holding a staff, and interacting with a bird or owl. I also wanted it to be a relatively dark, atmospheric composition, with a luminous spotlight on the main figure.

Ultimately it was between the first and second thumbnails for me, but I ended up going with the first because I liked the asymmetrical composition.

Thumbnail sketch option 1.
Option 1
Thumbnail sketch option 2.
Option 2
Thumbnail sketch option 3.
Option 3
Thumbnail sketch option 4.
Option 4

Step 2: Line Drawing

With the composition settled, I needed a tighter line drawing. I made one in Procreate, defining the forms and the complex patterns in the crown, clothing, and vegetation.

Detailed digital line drawing of the mage with elaborate headdress, staff, and owl.
Digital line drawing in Procreate

Step 3: Color Comps

I knew that I wanted this painting to be mostly warm greens with some white mixed in. The only question was how monochrome to make it. I made two color comps in Procreate — one in more neutral, naturalistic tones, and the other entirely in shades of green. I rarely work in monochrome, so I ended up going with the greener one for fun.

Color study option 1 — neutral, naturalistic tones.
Option 1: naturalistic
Color study option 2 — monochromatic greens.
Option 2: monochromatic greens

Step 4: Paint

I now had all I needed to start the final painting: a tight line drawing and a color/value reference. I printed out my line drawing at size and did a graphite transfer to my board, then did a value pass using black paint. Then I covered that with a burnt sienna wash which would nicely complement the green palette.

Finally, I completed the painting working background to foreground, and using gouache in an airbrush to add subtle glow effects to the luminous elements.

Early paint stage — black and white value pass over the burnt sienna wash.
Value pass
Mid paint stage — green palette being built up.
Colour build-up
Near-final paint stage — glow effects and details being refined.
Near final