My acrylic process

I seek to continually refine and improve my picture-making process, but the general steps remain the same: brainstorming, thumbnails, refined sketches, color comps, and then final rendering.

Receiving client feedback between each one of these steps ensures that the end result fits their needs.

My acrylic painting process is heavily influenced and inspired by talented contemporary fantasy painters, as well as classical painting techniques and approaches.

To save time, I do much of the preparatory work (refined thumbnails, sketches, color comps) digitally, only putting brush to paper for the final painting. This means all the major wrinkles are ironed out in a format where revisions and edits are easy to make quickly.

Step 1: Brainstorming

The client wanted me to depict a dramatic moment in their custom Dungeons & Dragons campaign where their character (a half-snake, half-human knight) faced his nemesis in pitched battle. I wanted to get as many details from the client as possible, to see what sparked my imagination and what could add drama to the scene. The client provided me with many details that were essential to depict, involving the characters, setting, equipment, and tone.

The setting:

  • The scene takes place on a high desert mesa

  • On this mesa is a crumbling castle with blast marks of dragonfire from an ancient siege

  • The desert floor around the mesa has crystalline outcroppings where the dragonfire transformed the sand into massive glass shards

The characters:

  • The focal characters are the client’s snake-kith hero and his NPC nemesis

  • Also in the scene is an army led by the enemy knight, engaging our heroes in battle

  • Below the main battle, the other characters in the party are escaping by climbing down the face of the mesa. One is preparing a healing spell in the event our hero is wounded

  • Four ravens are escaping the castle, having been freed by our heroes. One raven has a white tail feather.

The equipment:

  • The hero wear light armor in red, yellow, and white that he acquired traveling in this desert land. His sword is an elven rapier and his shield is large and gold, with a knight sculpted onto the front. This shield is enchanted with the ability to fix the wielder to the ground so that they cannot be moved even by extreme force

  • Our nemesis wears heavy royal guard armor, in white, blue, and gold, with evidence of battle-damage. The golden laurels of the royal crest are visible in various locations on the armor. He wields a two-handed battleaxe in one hand. Finally, his left arm is missing from a previous encounter with our hero.

The story:

  • This moment is the climax of a very long campaign, so should look suitably epic

  • In this battle, our hero fatally stabs and bites his nemesis, giving in to his more feral side, which is a tragic turn for the character

  • After killing his nemesis, our hero is also struck by an enemy arrow. He plummets, unconscious, off the cliffside

  • He is saved by his friends hanging below, who catch him at the last minute

In planning this painting, I knew I had to do justice to all the character and environment details that my client had meticulously crafted with their D&D group. I also wanted to convey the high stakes and intense tone, while adding some levity and hope with the birds flying high.

Step 2: Thumbnails

I started by creating 3 quick thumbnail sketches in Procreate to show the client. I chose a few character orientations and camera angles. In all of them, I wanted a strong diagonal composition to throw the viewer off balance and introduce a sense of peril.

Step 3: Refined Sketch

Once the client had chosen their preferred thumbnail, I refined it into a line drawing and black and white value study.

Step 4: Color Studies

The value pass having been ok’ed by the client, I made up three distinct color compositions. Each evoking a different mood and tone.

Step 5: Final Painting

The client wanted color comp B and was happy with the sketch. I had everything I needed for the final painting.

I started by printing the line drawing out on paper, which I then transferred to illustration board via graphite transfer paper. Then I clarified the lines with a light pencil before locking them in with a fine black pen.

I painted the whole thing in greyscale before applying a warm-neutral wash to unify the values a bit. Finally, I went in with color and rendered everything out.

Finished

Here’s our final battle scene!